WORK
NON-PROFIT WORK
Abu Dhabi Medical Congress
Canadian Breast Cancer Foundation
CAMH
CAMH Transforming Lives Awards
CIFAR
ehm
Electrical Safety Authority
For This We Pray
HealthyKids International
Herbie Fund
iNavigait
Kids CureQuest
Ovarian Cancer Canada Walk of Hope
Plan Canada
Plan Canada Because I am a Girl
ProAction Cops & Kids
SafeKids Canada
SickKidsSickKids Foundation
SickKids Change Crusaders
SickKids Circle of Care
SickKids Constellation
SickKids Gift Catalogue
SickKids International
SickKids Radiothon
SickKids TributeSunnybrook International
Sunnybrook Injury Prevention
UNICEFUNICEF Canada
UNICEF Canada Calendar
UNICEF Canada eBlasts
UNICEF Canada Fall Campaign Launch
UNICEF Canada For Every Child
UNICEF Canada Global Parent
UNICEF Canada National UNICEF Day
UNICEF Gift Catalogue
UNICEF Water Gala
UNICEF WorksUniversity Health Network
World Vision CanadaSELECTED WORK
Alex Toys
Armstrong World Industries
AuRico Gold
Capital Health
Channel 500
Coloroot
Corporate Finance Qualification
CURA Pharmacy
Explorers' Edge
Farmer Brown's Market
Figure3
Fuel Inc.
Geminare
Haft2COLOUR Calendar Project
Haft2 Holiday Promotions
Integra
MWO Philanthropic Advisors
Ontario Tourism
OTMPC
Pfizer Legal Alliance
Royal LePage
Steve Pougnet for Mayor
Stonecap Securities
Studio Massaro
Tart Company
Verve Girl
UNICEF Canada Calendar
Every year, the UNICEF Canada wall calendar gets sent out to all donors to the organization, be they one-time or monthly donors. It’s a successful initiative that brings in a substantial amount of funds for the organization.
Traditionally, the calendar had always featured stock illustration by children that weren’t associated with UNICEF. It was a style that had proved popular in forms of bringing in revenue, but wasn’t ownable from a brand perspective. A more brand-compliant piece was sought, but one that wouldn’t alienate the current donor base that potentially saw brand equity in the current style from year to year.
We tested two styles of calendar against each other in the same market. One utilized the traditional stock illustration style; the other employed engaging photography of children that had become characteristic of UNICEF.
The result was greater fundraising from the photographic piece; largely from the same response rate, but a higher donation amount for each gift. Value perception in the photographic version was higher, and subsequent years now see the photographic style of the calendar being used consistently. Fundraising from the piece continues to be very significant year to year.
Project included