The Colour of Traffic

The film Traffic, directed by Steven Soderbergh was on TV Sunday evening. Originally nominated for Best Picture that year, it lost to pseudo-historical bloodfest Gladiator. What's beautiful about Traffic though is its use of colour to invoke viewer emotion and amplify the perceived reality of each of the film's settings.
If you haven't seen it, the story takes place in three main locales: Washington DC, San Diego and northern Mexico. For the governmental scenes that take place in Washington, Soderbergh chose to film them through a blue filter. The effect is formal and a bit cold.
Scenes of moneyed San Diego were shot with a rose-tinted filter, lending them a late-afternoon, vacation photograph appeal - feels very California.
Finally, the parts of the story that take place in drug cartel-controlled Mexico are yellow - mid-afternoon desert yellow. You can feel the heat, and it's far from vacation sun you're feeling - it's a sweltering unease.
Colour does this on a daily basis - not just in movies.








